Rumors of Separation Resurface Between Ahmed Khaled Saleh and Hanadi Mohanna: What We Know

Reports of an emotional crisis between Egyptian artist Ahmed Khaled Saleh and his wife, Hanadi Mohanna, have emerged on social media, reigniting rumors of their potential separation.
Despite the swirling speculation, the couple has remained silent and has not issued any statements to the press. However, "Al Arabiya Net" cited a source close to Mohanna who confirmed that while there has been tension in their relationship, no official separation has taken place.
According to the source, the couple had indeed distanced themselves from each other several months ago, but this was not formalized. The distance reportedly arose after tensions in their relationship, although it did not escalate to an official separation.
The source elaborated that the couple chose to take time apart until a final decision could be made regarding their relationship, which has faced personal crises. Previous tensions were resolved with the help of family and friends, allowing Saleh to reconcile with Mohanna.
However, the source noted that similar issues have resurfaced in recent weeks, and while no formal separation has occurred, new tensions have emerged. Family members have decided not to intervene this time, allowing the couple to handle their disputes independently.
It is worth mentioning that Mohanna and Saleh were married in November 2020, following a brief engagement period that began in October of the same year after their initial commitment in December 2019. The couple first appeared together on screen in the series "El Fattah."
Professionally, Hanadi Mohanna is currently starring in the series "What You See Is Not What It Seems" alongside artist Ahmed Gamal Said, available on a digital platform. Additionally, the film "The Knights," featuring a star-studded cast including Mohamed Mamdouh and Bayoumi Fouad, is currently in theaters. The film is written by Mustafa Saqr, Mohamed Ezz El-Din, and Abdel Rahman Jawish, directed by Karim El Shenawy.
